Winehouse docu sets Mipcom bow

3DD Prods.' "Recalling Amy," a docu honoring the background music from the late Amy Winehouse designed for Funnel 4 in Blighty and presold to NRK Norwegian and Turner Latin America, will bow in the Mipcom TV mart in Cannes in a few days.The 30-minute show features interviews and concert footage from 2006, the entire year the thrush's legendary album "To Black" bowed. Winehouse died in This summer, age 27, from the drug overdose."Recalling Amy" is a component of 3DD's "London Live" skein, which begins its seventh season with perfs by British bands Elbow and Kasabian shot at London venue Koko.3DD can also be repping showbiz strand, "Stars from the Big Screen,Inch in the mart.Created in colaboration with the U.K.'s Bio HD web, the most recent 13 one-hour shows happen to be acquired by Viasat, Globosat, SBS Australia, TV Catalunya and Bio Germany.The brand new batch, "Stars from the Big Screen,Inch features a docu on Lana Turner timed to coincide using the 50th anniversary from the star's dying next August.Shot working in london and NY, show features clips from Monroe's movies, archive footage from her looks at fests and galas, and contributions from film experts and authors.Further instances of the skein are dedicated to Bette Davis, Frank Sinatra, James Stewart, Bette Davis, Clark Gable, Katharine Hepburn, Katherine Hepburn, Gene Kelly, Kirk Douglas, Sophia Loren and Marlon Brando. Contact the range newsroom at news@variety.com

New War Horse Poster Online

Steven Spielberg's World War I epicSteven Spielberg's WorldWar I story War Horse is creeping steadily closer to release, and here's a new poster to further whet your appetite for this equine epic. Appropriately enough, the poster shows star Jeremy Irvine in uniform as Albert, the main human character, and his horse Joey.{New War Horse Poster Online}The story sees young Albert bonding with the aforementioned Joey and being devastated when Albert's father, Ted (Peter Mullan), sells him to the Army early in World War I. Despite being too young to enlist, Albert sets off in search of his four-legged pal, who is having his own adventure with troops on both sides of the battle lines.The film also stars Emily Watson, David Thewlis, Benedict Cumberbatch, Tom Hiddleston, Toby Kebbell, David Kross and Eddie Marsan, with a screenplay by Lee Hall and Richard Curtis (who knows a few things about WorldWar I fromBlackadder Goes Forth - and yes, we mean that as a compliment). It will hit UK cinemas on January 13, 2012. The full trailer is going to hit screens next week, so keep your eyes peeled for that very soon.

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The Double Steps (Los pasos dobles)

A Tusitala P.C., Bord Cadre Films, Television Espanola production. (Worldwide sales: M-Appeal, Berlin.) Produced by Luisa Matienzo, Serta Wechsler. Directed by Isaki Lacuesta. Script, Isa Campo, Lacuesta.With: Bokar Dembele, Miquel Barcelo, Alou Cisse, Hamadoun Kassogue, Amon Pegnere Dolo, Amassagou Dolo, Abinum Dolo, Soumaila Sabata, Djenebou Keita, Mahamadou Camara. Narrator: Hamadoun Kassogue. (Bambara, Dogon, French dialogue)Idiosyncratic helmer Isaki Lacuesta combines docu, re-creation and fiction inside the visually impressive but narratively challenged "The Double Steps." Weaving facets of the presence of French-artist-in-Africa Francois Augieras with people of his spiritual heir, The the spanish language language-artist-in-Africa Miquel Barcelo, and tales told through the Dogon people of Mali, the pic uses the mission for any hidden fresco cycle just like a jumping-off indicate enjoy concepts of storytelling, fantasy and Barcelo's relationship to his selected home. Elliptical, meandering and ultimately unconvincing, "Double Steps" received San Sebastian's top prize and often will not get free from the fest ghetto. It seems that painter and author Augieras took part in a bit of mythmaking before his dying in 1971. He ensure it is known he colored a cycle of frescoes in the bunker somewhere in Mali, they then covered finished desert sands, departing scattered clues being discovered eventually. Lacuesta presents two journeys in "The Double Steps," one including an embodiment of Augieras having a local (Bokar Dembele), as well as the other with artist Barcelo, whose recent tasks are inspired with the late French painter's existence and oeuvre. The helmer moves forward and backward between these two cell phone industry's, stimulated simply with the empty spaces left by hungry termites who've eaten away pieces of art left in Mali's challenging atmosphere. The idea now is easier to explain in guides instead of realize onscreen, as well as the words supplied by narrator Hamadoun Kassogue don't make things much clearer. Early moments act like Claire Denis' "Love Travail": Augieras can be a soldier in the fort commanded by his uncle (Kassogue), with whom he seems by having an incestuous relationship. This Augieras is certainly an invention inspired with the Frenchman instead of a literal version. When he fails some trust exercises with fellow soldiers, he's banned and starts his wanderings, including falling together with some bandits and encounters getting a village of albinos. Inside the here-and-now, Barcelo offers and socializes with residents to whom fantastical tales are part of everyday existence. They will use search of Augieras' lost bunker, which leads to an beneficial scene in the cave whose walls are partly engrossed in sketches. Thinking they're clues Augieras left, and not wanting to permit them be read by others, Barcelo and also the pals rub the markings away. Only audiences who watch Lacuesta's 61-minute docu "The Clay Journals," also presented at San Sebastian, recognizes that Barcelo themselves made these sketches "Clay," which mostly records a performance thing of beauty in Mali, will definitely be one more round the DVD. Spaghetti Westerns are among Lacuesta's inspirations, partly due to Augieras' own affinities, and certain moments, together with the background music, are patterned following a legendary oaters. The semi-destroyed grime structures in the Dogon bear a resemblance to Native American pueblos, as well as the outlaws with bandoliers further the comparison. Celebrate for many ambiance but impenetrable narration, even though helmer has an interest in conjuring mood, with legendary (some may say stereotyped) images from the guy in the baobab tree, or several albinos emerging from tents throughout the evening. Lacuesta's usual ace d.p. Diego Dussuel remarkably captures the striking Mali landscapes, and also the atmospheric nocturnal moments, utilizing their fanciful evocations from the almost otherworldly spirituality, may also be things of question. The transfer from Red-colored-colored to 35mm keeps all the preferred richness of tone.Camera (color, HD-to-35mm), Diego Dussuel editor, Domi Parra music, Gerard Gil production designer, Sebastian Birchler costume designer, Christophe Mercier appear (Dolby), Amanda Villavieja, Juerg von Allmen connect producer, Jamal Zeimal Zade assistant director, Luis Bertolo casting, Cendrine Lapuyade. Examined at San Sebastian Film Festival (competing), Sept. 19, 2011. (Also in Busan Film Festival -- World Cinema Chicago Film Festival -- World Cinema, Black Perspectives.) Running time: 91 MIN. Contact the number newsroom at news@variety.com

Lionsgate warns investors about losses

Lionsgate has warned investors that will lose between $40 million and $50 million in its current quarter, which has seen disappointing performances from its most recent eleases -- "Conan the Barbarian," "Warrior" and "Abduction."The minimajor issued the warning in a Securities and Exchange Commission filing Monday as part of its notfication to possible buyers of 22 million shares it is selling for Carl Icahn, who agreed last month to end his three-year battle with Lionsgate by pulling out of the company.The company said its estimated loss in earnings for its second quarter ending Sept. 30 before interest, taxes and depreciation of assets was $42 million to $56 million.The company said it will report its results for the quarter in the first half of November.The disclosure had little impact on Wall Street, as Lioisngate stock was off 3 cents to $6.97 in mid-session trading. Icahn's shares are being offered at $7 each. Contact Dave McNary at dave.mcnary@variety.com

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'Pan Am': First-Class Flight To sixties Glamour

NEW You are able to (AP) They might have known as it a stage or perhaps a studio, however the term they like is "the hangar."Why don't you? Handily next to Brooklyn's Steiner Galleries lot is really a cavernous outdoor storage shed now employed for housing an essential component of ABC's new series, "Pan Am": the jet plane.That's, the existence-size mock-from a jet plane's passenger compartment. Installed on a platform 5 ft from the concrete floor may be the "fuselage" (no wings or tail) from the show's proud Boeing 707 whose interior, as opposed to the raw spend of the plane-length tube, was created in period-perfect detail that harkens to the first sixties the dawning era of business jet flight once the luxury air travel Pan American World Airways prospered so when "Pan Am" happens.24 "people" (a mans extra supplies crisp within their business wear, that is how males clad themselves for airline travel in individuals days) are queued to go in the fuselage's lopped-off aft to populate the following shot.Also prepared to board: the stewardesses. Performed by Christina Ricci, Kelli Garner, Karine Vanasse and Margot Robbie, they, obviously, would be the real stars of "Pan Am."Debuting Sunday at 10 p.m. EDT, "Pan Am" is really a globe-spanning melodrama occur the Kennedy presidency, with all of its romance, glamour and excitement for any new, ascendant age (plus a little from the cloak-and-dagger: among the stewardesses is drafted through the government to become a spy)."I'd a picture for that first episode from the show," states Thomas Schlamme, a professional producer who also directed the premiere. "The stewardesses' high heel shoes hitting the tarmac, after some girl watching in the gate with admiration."Search for something of that nature within the premiere.Schlamme states he understood the series could be received with worries it was in some way sexist. Not surprisingly, early voices happen to be elevated that "Pan Am" perpetuates pre-feminist stereotypes."I wish to turn the stereotype on its mind," he states. "These stewardesses were a real fascinating group.InchAnd, suitable for a producer of past series for example "Jack & Bobby" and "Free Airline Wing," Schlamme adds he really wants to infuse "Pan Am" with some patriotism, as though to express: "This is exactly what we could do in the usa and that we still can."If perhaps! Only one small clue towards the distant can-do spirit "Pan Am" stories: Within the hangar is Nancy Hult Ganis, a professional producer and former Pan Am stewardess, who's instructing a prop assistant regarding how to make a Tom Collins (using the requisite orange slice and maraschino cherry) based on the rigorous standards of the vintage Pan Am stewardess manual. Along with a treat for "people" inside a scene the following day: escargots with melon and prosciutto.The show is dazzling to look at, having a huge assist from computer-graphics imagery: A lot of the multilevel Worldgate terminal, as well as the 707's sleek exterior, are virtual, out of the box the sprawling tarmac, which are shot with eco-friendly screen in Steiner's Studio 3.Nevertheless, the stewardesses are flesh-and-bloodstream and lovely. (And, yes, lily-whitened, because the series starts in 1963. Nevertheless its color barrier is going to be damaged as "Pan Am" tracks the civil privileges struggle together with other unfolding world occasions.)"I seem like they are very modern women of time,Inch states Kelli Garner, who stars as Kate, the adventurous spy-initiate. "Even though they may have needed to be beautiful and serve males coffee, the things they got out of this chance seemed to be beautiful and strengthening."Browsing the hangar on her next scene, Garner looks classy and curvy in her own blue twill Pan Am uniform."I believe the uniforms cover a lot, and still so beautiful and sexy," she declares.And they are evocative, just as much on her being an actress for the admiring audience."I tuck behind the galley, yanking on my small girdle and tugging lower my skirt," she states. "I am sure stewardesses did exactly the same factor and felt just like uncomfortable in those days. However I really enjoy it. Celebrate me seem like I am one of these.InchWe now have the option as stars to simply put on regular pantyhose," she describes, "but everybody wants the girdle," and, as she states it, she provides a modest look underneath the hem of her skirt, revealing the girdle's suspender clips on her tights."The uniform brings some grace another type of womanliness," concurs Karine Vanasse, who plays Colette, a French-born romantic. "Having a costume, particulars matter. Putting on a thong underneath could be strange."The ensemble of "Pan Am" includes Mike Vogel and Michael Mosley, who, because the airliner's dashing pilot and co-pilot, hold forth within the cockpit an authentic 707 cockpit saved from an plane graveyard and grafted towards the front-end from the fuselage set.But stereotypes be damned! "Pan Am" isn't a men's world."The voice from the show is greatly those of the ladies,Inch states Christina Ricci, who plays the independent-minded Maggie. "You cannot perform a show relating to this period without including the particular sexism that been around in those days. However the show does not glorify the sexism or enjoy it. It's a lot more like, 'This is one thing we suffer from.A Therefore we do a watch roll."That being the situation, she states she's making the most of her role or, more precisely, her role-within-a-role."I recieve to experience a personality who would go to work and plays another character when she will get there: 'Can I enable you to get another drink, mister?' That's really fun for me personally.InchIt fell to costume designer Ane Crabtree to breed the stewardesses' uniforms (one of the number of period clothing), using the challenge of refreshing the signature "Pan Am blue" 2 decades following the air travel stopped flying.What inspired that blue?"The sea and also the sky, that was shown within the Pan Am globe logo design and on the planet Pan Am offered," she stated. "I believe it is the blue from the great beyond! What else Will it be?InchInchThe uniform is a superb acting tool," states Margot Robbie, who plays Kate's winsome more youthful sister Laura.Around the "Pam Am" premiere, the attention-appealing Kate appears around the cover of Existence magazine for any story headlined "Thanks for visiting the Jet Age." The photo of her, allegedly clicked by accident outdoors the Pan Am building, grabs huge attention along with a way of measuring annoyance from her co-workers, since Kate, designated by Existence to represent the Pan Am stewardess, is brand-new at work.Remembering the photo session for that dummy cover in midtown Manhattan, Robbie states she felt that does not only had she walked one half-century in to the past, but moved a little from the city together with her."As I was appearing, I saw this seniors gentleman who appeared as if he was in the '60s, too, in the heavyweight coat and brown hat. He did a double-take and stated, 'My God, it's Pan Am!'"Yes, mister, it's,Inch I told him, and that he smiled and stated, 'Ahhh, that can take me back.'"Beginning Sunday, "Pan Am" starts its scheduled plane tickets to accept audience back each week.Copyright laws 2011 Connected Press. All privileges reserved. These components might not be released, broadcast, rewritten, or redistributed.

Showrunners talk shop at Variety breakfast

"Mad Males" creator/professional producer Matthew Weiner talks at Variety's 'Emmy Elite' breakfast in Beverly Slopes.Paul Lieberstein, executive producer of 'The Office,' with 'Glee's' Kaira Falchuk at Friday's 'Emmy Elite' breakfast.The techniques technology is altering the tv business were the surface of mind for your Emmy-nominated showrunners Variety organised due to its annual "Emmy Elite" breakfast within the Four Seasons Hotel in Beverly Slopes on Friday. The explosion of latest distribution options from Netflix to iTunes was addressed inside the opening panel featuring the showrunners of Emmy nommed comedy series who spoke candidly in regards to the natural promise and issues. Paul Lieberstein, executive producer of "Work,Inch lamented how a digital platforms aren't as lucrative since the primary broadcast window. "There's without doubt it affects the best distribution window when it's still available (online)," he mentioned. "That goes back and affects our budget. It is a concern." Contributing to this issue might be the essential failure to count the amount of people are watching across all home home windows, noted "Parks & Entertainment" showrunner Mike Schur. "I'm the Nielsen system since it presently stands, that is still what anybody seems of taking care of about -- that isn't near the quantity of people that are studying the show." Asked for whether or not they are seeing any real gold gold coin from digital residuals yet, showrunners mentioned there's no windfall. But Schur was emphatic your dream for people residuals through the 2007-08 authors strike was worth the sacrifice. "It absolutely was totally useful even if the money hasn't started relocating,Inch he mentioned. "We have to still fight even if we don't see money for any very long time.Inch The conversation while using comedy showrunners -- which incorporated "The Big Bang Theory's" Bill Prady, "Modern Family's" Steve Levitan and "Glee's" Kaira Falchuk and Dante Di Loreto -- moderated by Variety's Stuart Levine and Cynthia Littleton ranged in the discussion of favorite shows to mentors for the challenges of juggling the various duties needed from the showrunner. As Prady known to how it's like dealing with the chaos in the job: "Driving a car never vanishes, you simply learn to ensure that it stays under control. There's no reason where you'll probably have confidence.In . Another recurring theme each morning was how a multiplicity of on-demand venues for shows was enabling viewing binges of entire seasons just like a more widespread kind of consumption. "It enables everyone else to get familiar with a serialized story lines the very first time,In . mentioned Di Loreto. Inside the drama panel that adopted, "Friday Evening Lights" e.p. Jason Katims also addressed how serialized programming considered once kryptonite for traditional distribution has converted into a hot commodity inside the emerging digital marketplace. "Typically people kinds of shows aren't so valuable following a initial airing," he told Variety's John Lowry. "In my opinion for just about any Netflix-type of factor it boosts the value." David Zucker, one of the executive producers of "The Truly Amazing Wife," noted that diversifying revenue streams is lowering the reliance upon advertising. "There's lots of various ways companies are generating money on these shows." But "Dexter" executive producer Sara Colleton added some perspective along with her warning that focusing a lot of on all the financial factors might be a distraction regarding the really matters. "Not worry eventually that taking everything into account is antithetical for the creative process," she mentioned. "I will not hesitate by technology anyway," mentioned "Mad Males" creator Matthew Weiner, who credited Netflix with getting another audience to past seasons of his series. "It is really an attitude that we made a decision to discipline myself for, especially as someone who works formerly the means by that we really do.Inch Many of the conversation while using dramatists -- which incorporated "The Truly Amazing Wife's" Michelle King and Robert King -- revolved around the versions between creating for cable and broadcast TV. Katims quipped he never knows quite the best way to answer that question inside the situation of "Friday Evening Lights" because the show broadcast on NBC too as with a commercial-free format on DirecTV. Other highlights within the sections: n One of the sticking points in Weiner's recent renegotiation with "Mad Males" producer Lionsgate TV and AMC was the running amount of segs, as AMC added more commercial time. When Weiner's pact has been around since March, AMC mentioned most segs would run about 45 minutes on air but run entirely at 47-48 minutes online. But Weiner revealed within the panel that you'll see only one version of episodes for your coming season that will clock in at 47:30 across all platforms. "I am unsure how they handled to produce that really exercise,Inch he mentioned. "It absolutely was plenty of worry. I'm so thrilled." n "Modern Family" co-creator Steven Levitan needs to stay within the helm in the series throughout its run, which isn't what he did inside a previous quantity of his: "I did so another show and left after three seasons, it went for the next four (NBC's "Just Shoot Me"). When I was engrossed, I wasn't involved very much the same. It's my job to regretted that. Personally, I am unable to consider it for all of us a much better experience than I'm bothering this time around, undertaking a demonstrate that I like....I must abide by it for the very finish." n Lieberstein suggested that his show doesn't operate as freely creatively speaking as formerly since NBC is under new management: "There exists a new company, Comcast, and they have their unique mandates and there exists a new leader (Robert Greenblatt) who runs things in different ways. He's very hands-on. There are many eyes concerning the transition and a lot of conversation that individuals didn't formerly have." Contact Andrew Wallenstein at andrew.wallenstein@variety.com

Outkast, Ciara Headed for L.A. Reid's Epic Records

Since taking over Sony Music's Epic Records in July, label chairman and X Factor judge L.A. Reid has been busy erasing the company's tarnished image and rebuilding its roster, which will soon includeOutkast and Ciara, sources tellThe Hollywood Reporter.Reid has a long history with both acts, whowere originally signed to his LaFace Records (label home to a young Usher, Pink and TLC).our editor recommends'The X Factor': 5 Things We Learned From Sunday's 8-Minute Promo (Video)'X Factor's' Simon Cowell Slams Simon Fuller, Admits Anger at 'Idol,' Reveals He and Cheryl Cole No Longer Speaking 'X Factor' Brutality at Auditions: 'L.A.' Reid Meaner Than Simon Cowell; Audience Urged Not to Boo In 1994, LaFace, which had entered into a joint venture partnership with Sony's Arista Records in 1989,released Outkast's debut album,Southern-playalisticadillacmuzik. Ten years later, with Reid nearing the end of his presidency at Arista, the duo's Speakerboxxx/The Love Belowsold 11 million copies and won six Grammy awards. Ciara came into the LaFace fold in 2004 with her first album, Goodies.It featured the hit song "1, 2 Step" and has sold more than 2.5 million copies. Her most recent release, 2010's Basic Instinct, came out via Jive Records. That label is being phased out due to recent consolidation and reshuffling among Sony's labels, which also include Columbia and RCA, resulting in dozens of layoffs in recent weeks. Other Reid-era Epic signings include Atlanta MC Future, whose reported first single "Tony Montana" features popular rapper Drake, and Karmin, the duo known for its quirky interpretations of popular hip-hop tracks like Chris Brown's "Look At Me Now" and Lil Wayne's "6 Foot 7 Foot." But at the premiere party for X Factor on Wednesday night, Reid told THRthat the twosome of Amy Heidemann and Nick Noonan are not recording covers for their Epic debut, but rather original tracks. The executive cited his own days as a young struggling performer and songwriter, when having cover songs in your repertoire wasde rigueur. To that end, Reid certainly holds his own at the TV tablealongside X Factor creator Simon Cowell and fellow judges Paula Abdul and Nicole Scherzinger. A preview of next week's premiere episode showed that Reid and Cowell often disagree on contestants and that Reid is, in fact, harsher than his British boss. At one point, Reid remarks that Cowell is "the greatest talent magnet in the world" but not necessarily the best "record man." At a Q&A following the screening, all five cast members -- which include host Steve Jones -- continued to tease, clearly comfortable with each other and energized by a well-received first episode that included plenty of laughs, tears and jaw-dropping moments. The X Factor premieres on Fox on September 21. Related Topics Nicole Scherzinger Paula Abdul Simon Cowell Antonio L.A. Reid The X Factor

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Cymbeline

A presentation by Theater for a New Audience; Scott Morfee; Jean Doumanian; Tom Wirtshafter; the Somerled Charitable Foundation; Burnt Umber Productions; Christian Chadd Taylor; and Marc & Lisa Biales/Ted Snowdon, of the Fiasco Theater production of a play by William Shakespeare in two acts. Directed by Noah Brody and Ben Steinfeld.Imogen - Jessie AustrianPosthumus - Noah BrodyPisanio, et al - Paul L. CoffeyCymbeline, et al - Andy GrotelueschenIachimo, Arviragus - Ben SteinfeldQueen, et al - Emily YoungThe Fiasco Company is a seriously cute young troupe, and this commercial mounting of their offbeat garage-band treatment of the Bard's dopiest play should be an inspiration to other M.F.A. grads looking for a way to peddle their wares in the legit marketplace. That alone should guarantee a nice run for this clever and modestly scaled show, which charmed auds in two previous productions and is now playing an open-ended run in the strategic vicinity of N.Y.U. But any Bardolators expecting a genuinely inventive interpretation of this so-called "problem play" might wonder what all the raves were about. The six personable performers who make up the company wisely make light of the convoluted plot -- so idiotic that some scholars suspect it may have been written the play as a parody. In any event, the story concerns the trials and tribulations of a princess who flees her father's royal wrath after marrying a commoner, and the near-tragic complications that result when her nitwit husband is drawn into making a wager on the virtue of his new bride. The less said about the multiple sub-plots, the better. Fiasco was born when six graduates of the Brown U./Trinity Rep MFA acting program formed an ensemble in 2009 and began fooling around with this understandably neglected play. Essentially, what they did was liberate the text from its theatrical trappings -- from the formal court settings to the brutal scenes of war -- and speak the words clearly. The play is staged simply, on a round wooden stage (designed by Jean-Guy Lecat) with no set pieces other than a big wooden trunk (a work of art by Jacques Roy) that does marvelous duty, serving as everything from a chest in milady's chamber and a secret cave deep in the woods to a handy container for hiding a headless body. Whitney Locher's costumes -- basic drab weeds with multiple add-on pieces -- are just as imaginative. With only six actors taking on two dozen roles, transformations have to be quick and clever. Characters come and go with the drop of a hat, a pair of glasses, a reversible vest. Strange to say, and despite having Fiasco members Noah Brody and Ben Steinfeld at the helm, the show doesn't bear the imprint of its collective creation or even establish a cohesive company acting style. In fact, the only times that the company really feels like a company is when they are singing, either a cappella or to their own musical accompaniment. Otherwise, the acting styles are from hither and yon. Andy Grotelueschen, the big, jolly, hairy guy who plays King Cymbeline and two other roles, has a feel for broad comedy and happily plays to his strength. While his blustering Cymbeline is a proper comic foil, he gets more laughs as Cloten, the Queen's loutish son from a previous marriage and an authentic buffoon. But even in a minor part like Cornelius, the court physician, Grotelueschen is always trolling for laughs, and generally finding them. Emily Young also thrives on comedy. Her duplicitous Queen is right out of a Disney cartoon and she boldly plunges into the high corn for her droll portrayal of an crook-backed old crone who lives in a cave. On the other end of the acting spectrum, Jessie Austrian delivers a straight-forward and at times quite touching performance as Imogen, the play's long-suffering heroine. As her foolish husband Posthumus, Brody also plays it straight and, unfortunately, stiff. Which leaves the other two members of the ensemble straddling the stylistic middle ground and making a surprisingly good job of it. Busy-busy Steinfeld (whose juggling act includes service as co-director and music director) is a conventional but effective Iachimo, the dastardly villain who tricks Posthumus into betraying his faithful Imogen. While flashing a bit of ironic attitude from time to time, thesp never actually twirls his moustache and Iachimo is the better for it. Paul L. Coffey has it much harder playing multiple secondary parts. But he's a versatile performer and believable in all his roles, from country bumpkin to Roman Legionnaire. And more than anyone else in the company, he has a hellish time running around in the final scene, hilariously jumping from one character to the next in order to wrap up all the subplots.Set, Jean-Guy Lecat; costumes, Whitney Locher; lighting, Tim Cryan; properties, Caite Hevner and Jacques Roy; music director, Ben Steinfeld; production stage manager, Christina Lowe. Opened Sept. 8, 2011. Reviewed Sept. 7. Running time: 2 HOURS, 30 MIN. Contact the Variety newsroom at news@variety.com

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Talbot Perry Simons...Got the Part

Talbot Perry Simons...Got the Part Role: Hank in "Thursday's Speaker," a SAG Ultra Poor feature By Sarah Mckinley Oakes September 10, 2011 Talbot Perry Simons Many stars undertake the areas of filmmaking: pointing, creating, frequently even writing. Nevertheless the soul mates of acting will Not overlooked, so no matter the amount of hats installed on, they keep trying to find chances to ply a typical talent.Such was the problem for Talbot Perry Simons, who was simply paging through Back Stage, trying to find acting gigs even though he was keeping busy marketing a film he'd recently written, directed, and starred in. When he saw the notice for "Thursday's Speaker," a SAG Ultra Poor feature, he understood he'd found a thing that would permit him to do what he loved. "Acting's the most popular factor," Simons states. "It's why I made my own, personal movieso I really could star within it. And I'd been so busy marketing, 'Thursday's Speaker' was the initial project I'd published for in age groups.InchInside the film Simons plays the role of Hank, who is the owner of another hands-vehicle lot. Gary Hebert, the film's author and director, understood within the first audition that Simons was what he was trying to find. "He'd amazing energy," Hebert recalls. "He showed up towards the area like gangbusters, totally ready. He was a pleasurable experience right immediately, therefore i thought he'd prosper inside the part." Hebert still thought so after they were done shooting. "It absolutely was great," according to him. "[Simons] is definitely an very hands-on, physical actor. He loves getting lots of little props, which he'll develop all this stuff by themself. He arrives together with his crossword puzzle he is going to do, or he finds every one of these awesome small problems he might bring in it. He's always adding something or getting into certain new idea, or modifying something. He's really professional and totally prepared I'd love an chance to make use of him again."Simons began acting inside the seventies, when he received a scholarship towards the Lee Strasberg Theater & Film Institute in L.A., after winning the Irene Ryan Award for top actor in the output of "Lenny" at Orange Coast College. "I examined at Strasberg getting an excellent lady named Pat Randall, and I've been acting since,Inch states Simons, who's an connect of SAG and AFTRA and also on withdrawal from Equity, and estimations he's experienced 35 plays in L.A., too as much TV films and shows. "I've won a complete of seven acting honours now, while using best acting award within the New You'll be able to Worldwide Independent Film and Video Festival for my movie 'Still the Drums.' " That film won four other honours within the 2009 festival: best movie, best script, best directorial debut, and finest new song. Simons was the director and author in addition to sang the songbut acting remains his primary focus. "I'm not a real kid any more, you understand,In . according to him, laughing. "It's a struggle, nonetheless they ain't getting rid of me."Has Back Stage aided you obtain cast formerly year? We'd like to tell your story. Keep up with the weekly column by getting in touch with casting@backstage.com for brand new You'll be able to or bswcasting@backstage.com for La with "I Obtained the Part" inside the subject line. Talbot Perry Simons...Got the Part Role: Hank in "Thursday's Speaker," a SAG Ultra Poor feature By Sarah Mckinley Oakes September 10, 2011 Talbot Perry Simons Many stars undertake the areas of filmmaking: pointing, creating, frequently even writing. Nevertheless the soul mates of acting will not be overlooked, so no matter the amount of hats installed on, they keep trying to find chances to ply a typical talent.Such was the problem for Talbot Perry Simons, who was simply paging through Back Stage, trying to find acting gigs even though he was keeping busy marketing a film he'd recently written, directed, and starred in. When he saw the notice for "Thursday's Speaker," a SAG Ultra Poor feature, he understood he'd found a thing that would permit him to do what he loved. "Acting's the most popular factor," Simons states. "It's why I made my own, personal movieso I really could star within it. And I'd been so busy marketing, 'Thursday's Speaker' was the initial project I'd published for in age groups.InchInside the film Simons plays the role of Hank, who is the owner of another hands-vehicle lot. Gary Hebert, the film's author and director, understood within the first audition that Simons was what he was trying to find. "He'd amazing energy," Hebert recalls. "He showed up towards the area like gangbusters, totally ready. He was a pleasurable experience right immediately, therefore i thought he'd prosper inside the part." Hebert still thought so after they were done shooting. "It absolutely was great," according to him. "[Simons] is definitely an very hands-on, physical actor. He loves getting lots of little props, which he'll develop all this stuff by themself. He will come in along with his crossword puzzle he is going to do, or he finds every one of these awesome small problems he might bring in it. He's always adding something or getting into certain new idea, or modifying something. He's really professional and totally prepared I'd love an chance to make use of him again."Simons began acting inside the seventies, when he received a scholarship for the Lee Strasberg Theater & Film Institute in L.A., after winning the Irene Ryan Award for top actor in the output of "Lenny" at Orange Coast College. "I examined at Strasberg getting an excellent lady named Pat Randall, and I've been acting since,Inch states Simons, who's an connect of SAG and AFTRA and also on withdrawal from Equity, and estimations he's experienced 35 plays in L.A., additionally to a lot of TV films and shows. "I've won a complete of seven acting honours now, while using best acting award within the New You'll be able to Worldwide Independent Film and Video Festival for my movie 'Still the Drums.' " That film won four other honours within the 2009 festival: best movie, best script, best directorial debut, and greatest new song. Simons was the director and author in addition to sang the songbut acting remains his primary focus. "I'm not a real kid any more, you understand,In . according to him, laughing. "It's a struggle, nonetheless they ain't getting rid of me."Has Back Stage aided you obtain cast formerly year? We want to see your story. Keep up with the weekly column by getting in touch with casting@backstage.com for completely new You'll be able to or bswcasting@backstage.com for La with "I Obtained the Part" inside the subject line.

Lars Von Trier's 'Nymphomaniac' Pre-Sells to Russia

COLOGNE, Germany - Russian distributor Central Partnership has snatched up rights to Lars von Trier's new project, Nymphomaniac, an exploration of female sexuality that the Danish director is expected to deliver in both soft and hard-core versions. TrustNordisk closed the Russian deal to kick off its presale push for Nymphomaniac at the Toronto Film Festival. Von Trier's latest, Melancholia, had its North American premiere in Toronto Thursday.our editor recommendsCannes Film Festival Condemns Lars von Trier's Nazi Comments (Cannes 2011)Best Actress Kirsten Dunst Thanks Cannes for Allowing Lars von Trier's 'Melancholia' 'To Still Be in Competition' (Cannes 2011)Lars Von Trier Continues Defending Nazi Comments in Berlin Nymphomaniac is still in pre-production - von Trier hopes to begin shooting next summer - but a few details of the project have leaked out. Long-time von Trier collaborator Stellan Skarsgard has said the controversial director has asked him to play the male lead. The film will be shot in English and produced outside of Denmark - likely in Sweden or Germany, where von Trier typically gets a sizable chunk of the financing for his movies. To accommodate censors, von Trier is believed to be planning both a hardcore cut of the film and an softer version for mainstream release. Structurally, Nymphomaniac will be divided up into eight chapters with titles such as "The Western and Eastern Church" and "The Little Organ School." Despite its pornographic title and expected content, Nymphomaniac will reportedly be largely dialogue-driven. Nymphomaniac's producer, and von Trier's business partner, Peter Aalbaek Jensen, said the film will be "very erotic but very funny also." He added that the extent of the pornographic content may be determined by the financing. One big, unanswered, question is whether von Trier will submit Nymphomaniac to the Cannes Film Festival. After his quips about Nazis and Hitler at a press conference for Melancholia this year, Cannes declared von Trier a persona non grata, banning him (though technically not his films) for life. Related Topics Toronto International Film Festival International Stellan Skarsgard Melancholia Lars von Trier